Much of the discussion around unmanned aerial vehicles (UAVs, or drones) is directed towards their capabilities for surveillance and assassination. Less known, however, is how the engine sound of the drones has devastating psychological effects for those living in conflict zones. Military drones fly at high altitudes, more easily heard than seen. Even the origin of the word ‘drone’ is rooted in sound, referring to the sound of the male honeybee. The sound of drones flying above areas of conflict creates soundscapes of terror that can last for hours. The buzzing engines have received nicknames like ‘zanana’ in Palestine, and ‘bangana’ in Pakistan.

A Study into 21st Century Drone Acoustics is an aural investigation performed by composer Gonçalo F. Cardoso (Discrepant Records) and designer Ruben Pater (Drone Survival Guide). What kind of engines are drones equipped with? What do they sound like? What are the psychological effects of the sounds in areas of conflict? This audio visual presentation will be based around field recordings of 17 different UAVs, ranging from small consumer drones to large military models.

Gonçalo F Cardoso is the sound artist behind the record label Discrepant and has released several records of his own under the pseudonyms Gonzo and Papollon. The designer Ruben Pater from the Netherlands creates visual narratives about geopolitical issues through his project Untold Stories. He is the artist behind The Drone Survival Guide which in 27 different languages describes how to hide from, neutralize, or hack drones.

The exhibition will be open all weekend (28/7 – 31/7)  between 11 am and 4 pm